Sources: H. Leclerc, “Un naturaliste irascible: P.A. Mattioli de Sienne,” Ianus, XXXI (1927), 336–345; C. Preti, “Mattioli, Pietro Andrea,” Dizionario Biografico degli Italiani, vol. 72 (2008); G.B. De Toni, Commemorazione di P.A. Mattioli, Siena 1901; Epistolarum medicinalium libri V, Praga 1561.

Over there, among the peaceful, reclining cows, a bull has just heaved itself up heavily.

When you hold an antique map of Ireland by Herman Moll, engraved in 1723, you are actually looking at the end product of a long and often brutal history of conquest, coercion, and administration.

Goya and Trump would never have been friends; one mocked the abuses of power, the other is his fiendish cartoon come alive.

Tsuguharu Foujita was one of the most distinctive artists of the early twentieth century, a man who moved effortlessly between cultures and who left behind some of the most unforgettable images of cats in modern art.

When Gerard Mercator (1512–1594) began compiling his great atlas, he aimed to capture the entire known world in a single printed work.